Learning New Things

Burton Vestigan – just finishing the collar.

I took a bit of a break over the last six or eight weeks of 2017 from spinning, because there was knitting to be done. I like to specifically take time at the end of the year to knit patterns from other designers, and I was really pleased with my Burton Vestigan that I had decided to work on.

I also had decided that I wanted to spin for and knit the Ghosthunter’s Cloche, with some moorit Shetland fibre I had picked up earlier in the year. That was… not entirely successful. And not for any fault of the pattern (in fact, I’m going to re-knit it in a commercial yarn), entirely through my own fault.

The problem was, the Shetland I have is roving, but I spun it short forward anyway. I’ve done this before, and it’s not necessarily a bad thing, but it most definitely was for this fibre. The resulting yarn, which was nice enough to look at, was so insanely dense and uneven, it was actually uncomfortable to work with.

Traditional 3-ply, roving but spun short forward. Looks just fine in hank form, but it’s wildly uneven.

I did knit a gauge swatch before starting, but when your gauge is all over the place, what’s the use? Needless to say the hat doesn’t fit, much to my chagrin because it’s a super awesome pattern. All may not be lost – I’m going to try felting it in the wash to get it down to size.

But that whole experience really got me thinking about my spinning.

I’m very comfortable with short forward draw, and I’m okay with short backward, but when it comes to things like spinning from the fold or long backward, I’m the proverbial babe. This is compounded by the fact that I like spinning worsted and really love worsted yarns, but as I so painfully learned in December, that’s not always appropriate.

So the past few weeks, I’ve been digging through my stash – I have a selection of rovings I got from Custom Woolen Mills in Carstairs last year that I’ve been woefully neglecting, and I decided finally to learn long draw.

Like most handspinners I fear the dreaded “wasting of the fibre”. I know whatever new technique I’m learning will not produce the awesomest of yarn, so I just avoid it. So here’s me, with literally pounds of fibre all prepped and ready to go, but languishing unused.

Well screw that, I say. It’s not all necessarily about the finished yarn, it’s about learning something new, and you’re never going to be great at something you’re just learning for the first time. But practice it enough and you will be great.

So, I pulled out my Ile de France roving and got to work.

My first skein was bumpy. And had underspun bits. And overspun bits. I felt like I was a first time spinner all over again. But, I also learned that long backward is fast. Really fast. That is something I definitely like.

I decided that that first skein was going to be all about learning the new movement – not worrying so much about consistency. I use my left hand to pull the yarn forward in short forward, so learning to pull back with my right was the complete opposite, and my muscle memory fought me pretty hard for that first bobbin.

With the initial jump, I feel a lot more confident though, and quickly decided to move on to a spinning project. I’m being a lot more purposeful with my movements, and a lot more careful about keeping it even. I’m pulling out more slubs, and when a section comes through that doesn’t match, I’m fixing it. The skeins will still be uneven, but I’m hoping not quite as much.

I’m on my final bobbin now, and after plying I’ve decided to finish by thwacking and fulling slightly – the thought process being any under spun bits will hopefully gain some needed strength.

So far I feel pretty good about the whole process, and I’ve gotten enough confidence in it to starting thinking of uses for my other rovings that have been sitting untouched. The last of the moorit Shetland will be next, and I’ll spin pretty much the same weight as the Ile de France. Who knows, maybe a hap is in my future with my first woollen spun yarns?

New Pattern Release: Trochu

I’m very excited to announce my newest pattern – Trochu!

Trochu is a cabled toque, knit from the bottom up, and named after a small town in Central Alberta, Canada. Knit in a light worsted weight yarn and using a smaller needle gauge, this toque creates a denser fabric, protecting against the cold wind that barrels down the Rocky Mountains and whistles across the Canadian prairies in winter.

This toque is designed to be either worn as a slouch, or with a rolled brim for a more traditional toque, and comes with both charted and written instructions.

Check out the pattern page here and the Ravelry page here.

And don’t forget to check out the faux fur pom pom tutorial on the blog right here, so you can finish your toque off with one.

Tutorial: How To Make A Faux Fur Pom Pom

If you’re like me, you love knitting toques (or beanies/knit caps to my non-Canadian friends). My latest pattern, Trochu utilizes a hand made faux fur pom pom to finish it off, and they’re a great way to add a bit of personality.

Faux fur pom poms are an awesome alternative to a more traditional yarn pom pom, and are quick and easy to make, with materials you probably already have laying around the house. These can be whipped together in a few minutes, and for less than a few dollars.

Materials:
· Faux Fur
· Utility knife
· Pen
· Thread or yarn
· Glass (or anything with a circle you can trace)
· Polyfill, scrap wool, scrap yarn (or anything you can stuff into your pom pom!)
· Cutting mat, or cardboard

The faux fur fabric might be the only thing you don’t have sitting around at home. This stuff is really easy to find at any fabric store, and often there is a huge variety available, so you’re sure to find the colour and texture you will like. Be sure to ask the cutter what the smallest amount of fabric you can get is – at my fabric store it’s 10 cm, and even with that I have enough faux fur to last me a life time of pom poms. A 10 cm x 114 cm strip of fabric (4″ by 45″) cost me a grand total of $2.49.

Step 1

Gather your materials together. If you have a cutting mat, I’d recommend using one, but if you don’t, a few sheets of cardboard will protect the surface you’re working on. Take your glass (or anything with a circle you can trace around), and place it on the underside of your faux fur. The glass pictured about is about 9 cm (3.5″) in diameter. Take your pen and trace the circle (don’t worry about it showing, it won’t).

Step 2

Take your utility knife (make sure it has a good sharp edge), and cut around the circle.

Step 3

Take your thread, and sew a loose baste stitch around the circumference. I use Gutermann Jeans Thread, which is nice and tough. You’ll be pulling somewhat hard on the thread to close the pom pom, so thin, weak thread isn’t recommended. If you don’t have Gutermann Jeans Thread (but you should, it’s great for so much!), you can use yarn from the toque you just knit, or a thinner yarn you have laying around the house.

Step 4

Now pull on the thread and synch that puppy tight, leaving about a 2 cm (0.75″) hole.

Take your polyfill, yarn scraps, or wool scraps, and stuff it into the small hole.

After you’ve completed that, pull on the thread/yarn/whathaveyou more to close up the hole as much as possible.

Step 5

Leave a tail of thread/yarn so that you can sew your pom pom to your toque.

Tie a small knot to secure the thread from coming loose, and you’re done! Now you have an awesome faux fur pom pom to attach to your toque.

Happy New Year!

A quick note and a very Happy New Year to all of you (and yours).

Many people take the new year as a time of reflection and a time to set goals for the next twelve months. I’m a big believer in doing now what can be done now, so I don’t really set myself big overarching life-goals for the next year. Instead, what I do is think about my past year in terms of creating knitting patterns, and create a yearly “to-do” list. It helps order my thoughts and lets me figure out what I want to accomplish in terms of creative crafting.

This year, one of my to-dos, is to spin for designing more. Late in 2016 is when I really got back into spinning after a very long break, and now that I have a healthy sized stash of handspun, and have gotten more comfortable spinning purposefully, this is something I really want to go at hard for 2018.

2018 for me will also be all about keeping to a schedule – a release schedule for patterns, specifically. When I started designing a few years ago and up until the end of 2017, I kind of released a pattern whenever. This resulted in radio silence for several months, followed by a flurry of releases. I’m not totally happy with that, so for 2018 expect a bit more of a regular occurrence with my pattern releases.

Which is an excellent segue (love a good segue!), for a little sneak peak of my newest pattern, Trochu, coming out this month.

I’ve had a really awesome round of testers for this knit, and I can’t wait to share this pattern with you. The name comes from a small town in Alberta, about two hours south of me. We have particularly cold, windy winters in the prairies of Alberta, and this knit is designed to help keep you warm.

Stay tuned, the pattern will be releasing in about a week!

Indie Design GAL: Home

This is part of my on-going Indie Designer Gift-A-Long 2017 series. Starting November 21st I am highlighting some patterns from my fellow designers also participating in the event! Each post will showcase 5-6 different designers and their patterns.

Don’t forget to join in the fun, we’re all over here chatting up a storm (when our fingers aren’t flying that is).


Fancy Hen by Ella Austin

From the pattern description:
Fancy Hen makes a cheerful addition to the home. The colourwork design is inspired by patterned ceramic tiles and the flower motif is similar to traditional fairisle designs.

Uses approximately 528 yds of DK weight yarn.
 
 
 
 

Christmas Stockings by Faye Kennington

From the pattern description:
With 24 colourwork charts to mix and match, this pattern offers 512 different possible options for customizing your own stocking. And that’s even before you take colour combinations into account! The stockings are worked toe-up with a solid colour toe and a stranded foot.

Uses approximately 220 yds of worsted weight yarn.
 
 

Sea Oak by Kate Bostwick

From the pattern description:
This decorative throw pillow cover features a cable motif down one side of the front and simple stockinette everywhere else. The pillow is worked flat, in one piece. The bottom of the back is worked first in stockinette stitch, followed by the cabled front and finally the top of the back in stockinette again.

Uses approximately 500 yds of worsted weight yarn.
 
 

Firth Waves Cushion by Jessie McKitrick

From the pattern description:
Evoking the natural rhythm of a “firth”, an inlet or bay, the fair isle pattern employed by this cushion will relax and impress anyone who views it. Knit in a palette of gorgeous blues, a pop of an alternate color is knitted with a third strand, or added later by duplicate stitch.

Uses approximately 1210 yds of worsted weight yarn.
 
 

Framed Cables Baby Blanket by Helen Gipson

From the pattern description:
The all-over twisty twirly travelling cable design is as pretty as a picture framed between simple borders. Much easier and intuitive to knit than it looks, this blanket will make a much cherished gift.

Uses approximately 530-700 yds of aran weight yarn
 
 


A note: I take care to not highlight the same pattern as previous years, so do be sure to check out the GAL 2016 series of posts. Many of those will also be eligible this year for the GAL.